{"id":429,"date":"2021-02-25T23:34:12","date_gmt":"2021-02-26T05:34:12","guid":{"rendered":"https:\/\/www.proarteyletras.com\/?p=429"},"modified":"2021-02-25T23:34:14","modified_gmt":"2021-02-26T05:34:14","slug":"musica-experimental-ensemble-contrechamps-suiza-y-liminar-mexico-hacen-de-zoom-un-laboratorio-de-creacion","status":"publish","type":"post","link":"https:\/\/www.proarteyletras.com\/?p=429","title":{"rendered":"M\u00fasica experimental: Ensemble Contrechamps (Suiza) y Liminar (M\u00e9xico) hacen de Zoom un laboratorio de creaci\u00f3n"},"content":{"rendered":"\n<ul class=\"wp-block-list\"><li><strong>En el marco del <em>Laboratorio de creaci\u00f3n musical<\/em>, ambos grupos presentaron el trabajo de Carlos Iturralde adaptado a las plataformas virtuales<\/strong>.<\/li><\/ul>\n\n\n\n<p><strong>Por Sebasti\u00e1n Jim\u00e9nez Galindo<\/strong><\/p>\n\n\n\n<p class=\"has-drop-cap\">El pasado viernes 19 de febrero, con motivo del 42 Foro Internacional de M\u00fasica Nueva Manuel Enr\u00edquez (FIMNME), miembros del Ensemble Contrechamps (Ginebra, Suiza) presentaron a trav\u00e9s del canal en YouTube del Instituto Nacional de Bellas Artes y Literatura (INBAL) una interpretaci\u00f3n de la pieza <em>Replichant<\/em>, del compositor Carlos Iturralde, en conjunto con el ensamble independiente Liminar (Ciudad de M\u00e9xico).<\/p>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"alignleft size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.proarteyletras.com\/wp-content\/uploads\/2021\/02\/image-10.png\" alt=\"\" class=\"wp-image-432\" width=\"281\" height=\"158\" srcset=\"https:\/\/www.proarteyletras.com\/wp-content\/uploads\/2021\/02\/image-10.png 471w, https:\/\/www.proarteyletras.com\/wp-content\/uploads\/2021\/02\/image-10-300x169.png 300w\" sizes=\"auto, (max-width: 281px) 100vw, 281px\" \/><figcaption><span class=\"has-inline-color has-cyan-bluish-gray-color\">El espacio virtual se vuelve espacio perform\u00e1tico y de experimentaci\u00f3n.<\/span><\/figcaption><\/figure><\/div>\n\n\n\n<p>A manera de las conferencias en l\u00ednea, cada vez m\u00e1s frecuentes y concurridas, la transmisi\u00f3n comenz\u00f3 con una sala de Zoom con los participantes. Ambos ensambles, en distintos idiomas, iniciaron un intercambio aparentemente sin rumbo. Los sonidos dislocados de una reuni\u00f3n virtual con una conexi\u00f3n inestable, como tanteos en la oscuridad para obtener respuesta, pronto cedieron paso a la pieza de Iturralde. En constante confluencia de valores y propuestas est\u00e9ticas, las interpretaciones de ambos ensambles permitieron ecos de la compleja m\u00fasica acad\u00e9mica de Karlheinz Stockhausen, o incluso el empe\u00f1o m\u00e1s reciente del m\u00fasico brit\u00e1nico Richard D. James por configurar desde la atonalidad g\u00e9neros actuales de la m\u00fasica electr\u00f3nica, como el techno y el <em>ambient<\/em>, con resultados muy cercanos a experimentos dodecaf\u00f3nicos de mediados del siglo pasado.<\/p>\n\n\n\n<p>El Ensemble Contrechamps ha trabajado no s\u00f3lo con distintos artistas contempor\u00e1neos de medios sonoros y m\u00fasica experimental, como Rebecca Saunders, sino tambi\u00e9n con precursores del serialismo de la posguerra, como el compositor, te\u00f3rico y director franc\u00e9s Pierre Boulez. Por su parte, el Ensamble Liminar se ha especializado desde 2011 en el di\u00e1logo entre las artes sonoras y la danza, el performance o el videoarte, interpretando tanto obras de las vanguardias del siglo XX como de la escena contempor\u00e1nea de m\u00fasica experimental en M\u00e9xico.<\/p>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"alignright size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.proarteyletras.com\/wp-content\/uploads\/2021\/02\/image-9.png\" alt=\"\" class=\"wp-image-431\" width=\"378\" height=\"212\" srcset=\"https:\/\/www.proarteyletras.com\/wp-content\/uploads\/2021\/02\/image-9.png 470w, https:\/\/www.proarteyletras.com\/wp-content\/uploads\/2021\/02\/image-9-300x169.png 300w\" sizes=\"auto, (max-width: 378px) 100vw, 378px\" \/><figcaption><span class=\"has-inline-color has-cyan-bluish-gray-color\">Los ensambles Contrechamps (Suiza) y Liminar (M\u00e9xico) ofrecieron la interpretaci\u00f3n de la pieza <em>Replichant<\/em>, del compositor Carlos Iturralde, a trav\u00e9s de plataformas digitales.<\/span><\/figcaption><\/figure><\/div>\n\n\n\n<p>Contrechamps y Liminal atendieron al espacio de la videoconferencia como zona perform\u00e1tica y enfatizaron el car\u00e1cter de la m\u00fasica experimental contempor\u00e1nea como exploraci\u00f3n constante. Hasta el 28 de marzo, el FIMNME llevar\u00e1 a cabo con el INBAL el <em>Laboratorio de creaci\u00f3n musical<\/em>, un intercambio activo de ideas, conceptos y b\u00fasquedas art\u00edsticas desde la transici\u00f3n a los entornos virtuales.<\/p>\n\n\n\n<p>El video del evento se encuentra archivado en el canal de YouTube del INBAL, en la siguiente liga: <a href=\"https:\/\/www.youtube.com\/watch?v=slL7RyeHziM\">https:\/\/www.youtube.com\/watch?v=slL7RyeHziM<\/a><\/p>\n\n\n\n<p>Hasta el 28 de marzo, las actividades dentro del marco del 42 FIMNME se encontrar\u00e1n en l\u00ednea, a trav\u00e9s del portal <em>Foro de m\u00fasica nueva<\/em>, del INBAL.<\/p>\n\n\n\n<p><a href=\"https:\/\/forodemusicanueva.inba.gob.mx\/\">https:\/\/forodemusicanueva.inba.gob.mx\/<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>En el marco del Laboratorio de creaci\u00f3n musical, ambos grupos presentaron el trabajo de Carlos Iturralde adaptado a las plataformas virtuales. Por Sebasti\u00e1n Jim\u00e9nez Galindo El pasado viernes 19 de febrero, con motivo del 42 Foro Internacional de M\u00fasica Nueva Manuel Enr\u00edquez (FIMNME), miembros del Ensemble Contrechamps (Ginebra, Suiza) presentaron a trav\u00e9s del canal en [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":432,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[6,18],"tags":[],"class_list":["post-429","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-musica","category-temas-de-interes"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v26.6 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>M\u00fasica experimental: Ensemble Contrechamps (Suiza) y Liminar (M\u00e9xico) hacen de Zoom un laboratorio de creaci\u00f3n - ProArte y Letras<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.proarteyletras.com\/?p=429\" \/>\n<meta property=\"og:locale\" content=\"es_MX\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"M\u00fasica experimental: Ensemble Contrechamps (Suiza) y Liminar (M\u00e9xico) hacen de Zoom un laboratorio de creaci\u00f3n - ProArte y Letras\" \/>\n<meta property=\"og:description\" content=\"En el marco del Laboratorio de creaci\u00f3n musical, ambos grupos presentaron el trabajo de Carlos Iturralde adaptado a las plataformas virtuales. Por Sebasti\u00e1n Jim\u00e9nez Galindo El pasado viernes 19 de febrero, con motivo del 42 Foro Internacional de M\u00fasica Nueva Manuel Enr\u00edquez (FIMNME), miembros del Ensemble Contrechamps (Ginebra, Suiza) presentaron a trav\u00e9s del canal en [&hellip;]\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.proarteyletras.com\/?p=429\" \/>\n<meta property=\"og:site_name\" content=\"ProArte y Letras\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/Pro-Arte-y-Letras-de-hoy-150705288427407\" \/>\n<meta property=\"article:published_time\" content=\"2021-02-26T05:34:12+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2021-02-26T05:34:14+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.proarteyletras.com\/wp-content\/uploads\/2021\/02\/image-10.png\" \/>\n\t<meta property=\"og:image:width\" content=\"471\" \/>\n\t<meta property=\"og:image:height\" content=\"265\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/png\" \/>\n<meta name=\"author\" content=\"Mireya Elisa Vega Nava\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@ProArteyLetras\" \/>\n<meta name=\"twitter:site\" content=\"@ProArteyLetras\" \/>\n<meta name=\"twitter:label1\" content=\"Escrito por\" \/>\n\t<meta name=\"twitter:data1\" content=\"Mireya Elisa Vega Nava\" \/>\n\t<meta name=\"twitter:label2\" content=\"Tiempo de lectura\" \/>\n\t<meta name=\"twitter:data2\" content=\"3 minutos\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\/\/www.proarteyletras.com\/?p=429\",\"url\":\"https:\/\/www.proarteyletras.com\/?p=429\",\"name\":\"M\u00fasica experimental: Ensemble Contrechamps (Suiza) y Liminar (M\u00e9xico) hacen de Zoom un laboratorio de creaci\u00f3n - 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